Download A Shot in the Dark: A Creative DIY Guide to Digital Video by Jay Holben PDF

By Jay Holben

The main major contribution to movie imagery is lights. lighting fixtures is the most important to turning beginner pictures into expert tales and presentation. A SHOT in the dead of night: an inventive DIY consultant TO electronic VIDEO lighting fixtures ON (ALMOST) NO price range indicates that strong lighting fixtures doesn't constantly require pricey or wide Hollywood undefined. With a bit creativity, ingenuity, and a few elbow grease, you could create your personal lights arsenal to address a mess of occasions. This booklet will express do-it-yourselfers tips on how to create their very own gear and the way most sensible to take advantage of it. the 1st a part of the booklet teaches you concerning the basics--the basics of sunshine, colour, publicity, and electricity--that are the construction blocks of lights. You'll become aware of what gentle is and the way to manage it. upon getting that beginning, the e-book will introduce advice, strategies, and hands-on tasks that tutor you on the right way to create your individual lights instruments from reasonably cheap, on hand assets. the single restrict to what you are able to do is your imagination.

Format: Retail-quality, full-color PDF

From the writer: 5 how you can larger Images

* Never use automobile exposure! Your publicity is your most powerful brush on your photographic arsenal. by no means let a bit of to inform you the place to put your publicity. assessment the scene, review the lighting fixtures degrees, and make an informed choice in keeping with what you will want your viewers to see.

* Learn to regulate your lights quality. selecting the best caliber of sunshine for the correct events is helping to refine your photographs significantly! difficult gentle, smooth gentle, or a mix of the 2: discover ways to use those instruments for your advantage.

* Position your lighting fixtures in accordance with the temper you must convey. in terms of lights, it may not often (if ever) be approximately 'just sufficient mild to shoot.' lights creates a temper and is helping inform a narrative. if it is a company interview or a dramatic scene, your gentle place is helping the viewers to event the precise mood.

* Learn to work out light. Photographic lighting fixtures doesn't ensue in a vacuum. It's in keeping with real-world studies. occasionally you will have your mild to be surreal and overseas, and infrequently you will have it to be quite usual and never think 'lit' in any respect. the way to study the variations is to review mild within the flora and fauna. usual and synthetic lights on your way of life will shock you with how attractive and remarkable it may be. learn how to now not take mild without any consideration and to determine it round you in any respect times.

* The most vital factor you do with lights is to direct the audience's realization to the place you will want it to be. what's most vital during this shot or scene? beginning there'll aid dictate the way you will upload or subtract lights to ensure the viewers is seeing what you will have them to determine for those who wish them to determine it.

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Additional info for A Shot in the Dark: A Creative DIY Guide to Digital Video Lighting on (Almost) No Budget

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F to the T The f-stop is a geometric relationship, a pure mathematical calculation between the size of the iris and the theoretical focal length of the lens. f − Stop = Focal Length Diameter of Lens Opening This is the same for every lens; it’s purely a mathematical relationship. 44 A Shot in the Dark: A Creative DIY Guide to Digital Video Lighting on (Almost) No Budget Motion picture lenses are calibrated on a T-stop scale. T stands for transmission of light, and this is a much more refined and exacting scale.

Inversely, if you gel the tungsten lights to match the daylight, you will use CTB (Correct to Blue) gels, which block out the red, orange, and yellow spectrums. CTB gels are much more saturated than CTO gels, and they reduce the light by as much as 75% (two stops). Typically, your artificial lights are already much dimmer than the natural daylight, so cutting them down by 75% is going to make them even more powerless against the light of the sun. Chapter 2 n The Fundamentals 37 The challenge here, of course, is that color correction gel isn’t cheap.

These materials can serve to soften the light as it reflects off the surface and is scattered over a wider area than the light hitting the surface (more on light quality in Chapter 5, aptly named “Light Quality”). Mixed Some materials with sheen directly reflect light off some areas, but also have different surfaces that scatter the light. A polished ceramic pot will have a specular reflection at one point, but the many imperfections in the surface will also scatter light in all directions. 24 A Shot in the Dark: A Creative DIY Guide to Digital Video Lighting on (Almost) No Budget When light strikes a porous or textured surface, it often results in a diffuse reflection, whereby light scatters in all directions.

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