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The sweep of eastern literature in all its nice kind used to be made on hand to Western readers for the 1st time during this anthology. each style and elegance, from the prestigious No performs to the poetry and novels of the 17th century, discover a position during this publication. An advent by means of Donald Keene locations the decisions of their right historic context, permitting the readers to benefit from the booklet either as literature and as a advisor to the cultural heritage of Japan. choices contain “Man’yoshu” or “Collection of 10000 Leaves” from the traditional interval; “Kokinshu” or “Collection of historical and smooth Poetry,” “The Tosa Diary” of Ki No Tsurayuki, “Yugao” from “Tales of Genji” of Murasaki Shikibu, and “The Pillow Book” of Sei Shonagon from the Heian interval; “The story of the Heike” from the Kamakura interval; Plan of the No level, “Birds of Sorrow” of Seami Motokiyo, and “Three Poets at Minase” from the Muromachi interval; and Sections from Basho, together with “The slender street of Oku,” “The Love Suicides at Sonezaki” via Chikamatsu Monzaemon, and Waka and haiku of the Tokugawa interval.

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As an editor, Tvardov­ sky has played a very important part in encouraging new and controversial talent, as his publication of Solzhenitsyn’s One Day so clearly demonstrates. Alexander Tvardovsky was born in the Smolensk region, the son of a blacksmith. He began to write verse at an early age. He published his first poems in the local papers. In Moscow he was first printed in Oktyabr. But he continued living in Smolensk where he took courses in higher education. In 1935 he moved to Moscow, and his literary career may be said to date from then.

Then, till 1942, he worked on a newspaper. Thereafter he joined up and went to the front. After the war he worked as a technician in a State Collective Farm in the Kemerovsk region. In 1948, he returned to Moscow as a poetry consultant to the All-Union House of Folk Culture. He traveled much, collect­ ing folk songs, chastushki and studying folk music. He himself had written poetry since childhood. Mikhail Prishvin was the first to notice his poetic talent. Bokov had also made a study of the Kalevala, which he has translated.

No one on the earth seems to direct them with authority. Hardly comforting! Very sad! Turns out there’s no control. They fly about as in primordial days some hundred thousand years ago! Enough of that! I must intervene, I said. I’ll issue commands by radio. 15 The New Russian Poets i6 M Bee >k BMeiuaTbCji He pemaiocb; OCTaHOBHJICH H rjijmy! JIHCTbfl Ohh JIe>KajiH Ha naHejiH. M BApyr O h h ocaTaHe^H M , H 3 M CH H B CBOK) OKpaCKy, riyCTHJlHCb B nJlHCKy, K O J IA O B C K H e. H 3aKpHHaji: — Bbl — KTO T a K H e ?

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